Theories Cognitive Psychology The Schachter-Singer Two-Factor Theory of Emotion Schachter and Singer's Theory of Emotion By Kendra Cherry, MSEd Kendra Cherry, MSEd Facebook Twitter Kendra Cherry, MS, is a psychosocial rehabilitation specialist, psychology educator, and author of the "Everything Psychology Book." Learn about our editorial process Updated on December 18, 2022 Medically reviewed Verywell Mind articles are reviewed by board-certified physicians and mental healthcare professionals. Medical Reviewers confirm the content is thorough and accurate, reflecting the latest evidence-based research. Content is reviewed before publication and upon substantial updates. Learn more. by Amy Morin, LCSW Medically reviewed by Amy Morin, LCSW Facebook LinkedIn Twitter Amy Morin, LCSW, is a psychotherapist and international bestselling author. Her books, including "13 Things Mentally Strong People Don't Do," have been translated into more than 40 languages. Her TEDx talk, "The Secret of Becoming Mentally Strong," is one of the most viewed talks of all time. Learn about our Medical Review Board Print Table of Contents View All Table of Contents Definition The Experiment Examples Criticism More Theories According to the Schachter-Singer theory of emotion, developed in 1962, there are two key components of an emotion: physical arousal and a cognitive label. In other words, the experience of emotion involves first having some kind of physiological response which the mind then identifies. Many cognitive theories of emotion emerged during the 1960s, as part of what is often referred to as the "cognitive revolution" in psychology. One of the earliest of these cognitive theories was one proposed by Stanley Schachter and Jerome Singer, known as the two-factor theory of emotion. Verywell / Cindy Chung What Is the Two-Factor Theory? The two-factor theory of emotion focuses on the interaction between physical arousal and how we cognitively label that arousal. In other words, simply feeling arousal is not enough; we also must identify the arousal in order to feel the emotion. So, imagine you are alone in a dark parking lot walking toward your car. A strange man suddenly emerges from a nearby row of trees and rapidly approaches. The sequence that follows, according to the two-factor theory, would be much like this: I see a strange man walking toward me.My heart is racing and I am trembling.My rapid heart rate and trembling are caused by fear.I am frightened! The process begins with the stimulus (the strange man), which is followed by the physical arousal (rapid heartbeat and trembling). Added to this is the cognitive label (associating the physical reactions to fear), which is immediately followed by the conscious experience of the emotion (fear). The immediate environment also plays an important role in how physical responses are identified and labeled. In the example above, the dark, lonely setting and the sudden presence of an ominous stranger contributes to the identification of the emotion as fear. What would happen if you were walking toward your car on a bright sunny day and an elderly woman began to approach you? Rather than feeling fear, you might interpret your physical response as something like curiosity or concern if the woman seemed to be in need of assistance. Schachter and Singer’s Experiment In a 1962 experiment, Schachter and Singer put their theory to the test. A group of 184 male participants was injected with epinephrine, a hormone that produces arousal including increased heartbeat, trembling, and rapid breathing. All of the participants were told that they were being injected with a new drug to test their eyesight. However, one group of participants was informed of the possible side-effects that the injection might cause while the other group of participants was not. Participants were then placed in a room with another participant who was actually a confederate in the experiment. The confederate either acted in one of two ways: euphoric or angry. Participants who had not been informed about the effects of the injection were more likely to feel either happier or angrier than those who had been informed. Those who were in a room with the euphoric confederate were more likely to interpret the side effects of the drug as happiness, while those exposed to the angry confederate were more likely to interpret their feelings as anger. Schacter and Singer had hypothesized that if people experienced an emotion for which they had no explanation, they would then label these feelings using their feelings at the moment. The results of the experiment suggested that participants who had no explanation for their feelings were more likely to be susceptible to the emotional influences of the confederate. Examples of the Two-Factor Theory The following are everyday examples in which the Schachter-Singer theory may be applied: Your boss calls you into their office. They don't tell you why. You start sweating, and you label what you're feeling as "anxious." However, when you meet with them, they say they want to give you a raise. You are already physically aroused, but now, you cognitively label this feeling "excitement" as a result of the good news.You see a friend while you're out shopping. You haven't spoken to this friend because the two of you had a fight. You experience a physical response of a rapid heart rate. You cognitively label this feeling "nervous." Then, you feel the emotion, and perhaps leave the store to avoid seeing them.You just finished shopping and you're walking by yourself to your car. It's dark outside. You hear someone walking behind you. Their footsteps are the stimulus that create a physical response in you—you begin trembling, and label this feeling "fearful." It turns out, it was just a store employee walking to their car after their shift. Each example demonstrates a stimulus (being called into your boss's office, seeing an old friend, and walking to your car, respectively) that results in a physical response based on your assessment of the situation (sweating, rapid heart rate, and trembling). Based on your cognitive assessment of the event, you label your feelings (anxious, excited, nervous, or fearful). As you can see, cognitive labeling is open to interpretation, depending on the context. You might be anxious about speaking with your boss, until you realize they have good news. You might be fearful about hearing footsteps in the parking lot, until you realize you aren't in danger. Criticism of the Two-Factor Theory While Schachter and Singer's research spawned a great deal of further research, their theory has also been subject to criticism. Other researchers have only partially supported the findings of the original study and have at times shown contradictory results. In replications by Marshall and Zimbardo, the researchers found that participants were no more likely to act euphoric when exposed to a euphoric confederate than when they were exposed to a neutral confederate. In another study by Maslach, hypnotic suggestion was used to induce arousal rather than injecting epinephrine. The results suggested that unexplained physical arousal was more likely to generate negative emotions no matter which type of confederate condition they were exposed to. Other criticisms of the two-factor theory include, sometimes emotions are experienced before we think about them. Other researchers have supported James-Lange's initial suggestion that there are actual physiological differences between emotions. Other Theories of Emotion It may be helpful to consider other popular theories of emotion that came before the Schacter-Singer theory. The James-Lange theory of emotion, developed by William James and Carl Lange in the 1880s, takes a different approach. Similar to the Schacter-Singer theory, the James-Lange theory proposes that an emotion occurs as a result of arousal. In other words, if we aren't physically aroused, our emotional response will be weakened. William James is quoted as saying, "We feel sorry because we cry, angry because we strike, afraid because we tremble." However, unlike the Schacter-Singer theory, The James-Lange theory posits that different types of arousal create different emotional experiences. For instance, many people experience rapid heart rate and sweating when they're scared. But other physical responses, such as a slowed heart rate and relaxed muscles, indicate other emotions such as peacefulness and relaxation. The Schacter-Singer theory, on the other hand, maintains that it is not the specific physical response that dictates the emotions that are felt—it is the cognitive label that we put on our response to stimuli that ultimately determines the emotion. The Cannon-Bard theory of emotion was developed in response to the James-Lange theory. Created by Walter B. Cannon and Philip Bard in 1927, the theory posits that emotion and physical arousal occur at the same time. Unlike the Schacter-Singer theory, which proposes that a physical response precedes feeling the emotion, the Cannon-Bard theory suggests we experience physical and emotional responses at precisely the same time. In other words, if someone cuts you off in traffic and you almost hit them, you'll experience sweating and a rapid heart rate at the exact same time as you experience the emotion of fear. 5 Sources Verywell Mind uses only high-quality sources, including peer-reviewed studies, to support the facts within our articles. Read our editorial process to learn more about how we fact-check and keep our content accurate, reliable, and trustworthy. Dror OE. Deconstructing the “two factors”: The historical origins of the Schachter–Singer theory of emotions. Emotion Review. 2016;9(1):7-16. doi:10.1177/1754073916639663 Marshall GD, Zimbardo PG. Affective consequences of inadequately explained physiological arousal. Journal of Personality and Social Psychology. 1979;37(6):970-988. doi:10.1037/0022-3514.37.6.970 Maslach, C. Negative emotional biasing of unexplained arousal. Journal of Personality and Social Psychology. 1979; 37: 953–969. doi:10.1037/0022-3514.37.6.953 D'Hondt F, Lassonde M, Collignon O, et al. Early brain-body impact of emotional arousal. Front Hum Neurosci. 2010;4:33. doi:10.3389/fnhum.2010.00033 James W. What is an emotion? The emotions, Vol 1.:11-30. doi:10.1037/10735-001 Additional Reading Schachter, S. and Singer, J. E. Cognitive, social and physiological determinants of emotional states. Psychological Review. 1962; 69: 379-399 Reisenzein, R. The Schachter theory of emotion: Two decades later. Psychological Bulletin. 1983; 94: 239-264. By Kendra Cherry, MSEd Kendra Cherry, MS, is a psychosocial rehabilitation specialist, psychology educator, and author of the "Everything Psychology Book." See Our Editorial Process Meet Our Review Board Share Feedback Was this page helpful? Thanks for your feedback! What is your feedback? Other Helpful Report an Error Submit